The mixing desk became an instrument
In a small room in Waterhouse, King Tubby stopped using a mixing desk to balance records and started using it to play them. Everything we call dub comes out of that decision.
Where the music came from: the studios, the engineers and the records that set the shape of it.
In a small room in Waterhouse, King Tubby stopped using a mixing desk to balance records and started using it to play them. Everything we call dub comes out of that decision.
A studio on Maxfield Avenue, a house band with something to prove, and a drummer who put the kick on every beat. Reggae's centre of gravity moved and never quite moved back.
The instrumental on the back of the single started as a way to save money. It ended up producing an entire way of making music, and eventually most of modern pop production.
Almost everybody who mattered in Jamaican music passed through one building on Brentford Road. What came out of it is still the common language the whole music speaks.
In 1985 a preset rhythm from a cheap Casio keyboard went to number one in Jamaica and took the whole industry with it. Forty years on, people are still arguing about what was lost.
Somebody talking over a record was not a new idea. Doing it so well that the talking became the record was, and one man on King Tubby's sound worked out how.